WORKSHOP SCHEDULE UPDATES!

Sunnyvale Art Gallery presents a 3-day workshop with Myrna Wacknov!

Known for her unique creativity, she brings art onto a whole new level combing different elements to create one of a kind artwork

Description of Workshop
"Texture can be an exciting addition to portraiture.  In this workshop we will explore  various methods of creating both visual texture and physical texture.   Combining traditional and non traditional materials is new and adventurous ways we will be making our own stamps and stencils, creating one of a kind collage materials, and exploring multiple ways of texturing gesso as a painting surface.  Add in watercolor, acrylic, ink, crayons,and pencils for a portrait that is more than just a pretty face!" 

When: May 19- May 21 (Thursday-Saturday) 
Time: 9AM-4PM 
Where: Sunnyvale Art Gallery
Fee: $350.00 

Call us at (408) 737-8188 to sign up or stop by our gallery to secure your spot! 


I will be in Bend Oregon the week of July 25th at ART IN THE MOUNTAINS!  This is a fabulous venue.  Check my workshop schedule for the details.  There are spaces still available.  


I just scheduled a workshop for next year in July at a new venue MADELINE ISLAND SCHOOL OF THE ARTS in Wisconsin.  This looks like a very beautiful location that you should check out!


Tomorrow I leave for my much anticipated workshop in Broken Arrow, Oaklahoma (Tulsa area)  This will be a traditional portrait class and I will post everyone's progress while I am there.  Some of these ladies came to my first out of town workshop in Kansas City a few years ago and I am looking forward to renewing my friendship with them.


If you would be interested in having me conduct a workshop in your area next year, I have several dates available.  You can contact me at myrnawack@prodigy.net.  

LAST DEMO FROM SDWS!

This is the last demo I did for the San Diego workshop.  It is acrylic ink on very thin YUPO.  I am still not happy with the background.  It turns out that alcohol removes acrylic ink very easily, so I will wipe out some stenciled letters, I think, to make the background more interesting.  I was experimenting with the surface.  Lots to explore here.   I am very frustrated that the Slide.com website isn't working properly and I can't get the slide show accomplished.  I can't figure out the Blogger version, either.  Maybe when I get home I will try again.d

I am on my way home for the next few days.  Repacking and leaving for a workshop in Portland the week after next.  I had such a good time with everyone in San Diego.  A wonderful group of artists and an amazing workshop team.  Overall a very impressive group of people.

I am looking forward to seeing everyone in Portland again.  I love going around the country making new friends!

DEMO AND SLIDE SHOW FOR EXPRESSIONS! DAY 3 GUALALA WORKSHOP

Today everyone did a bozzetto sheet with various expressions of the same face.  I have a wonderful series of photos I took of Preston Metcalf, the assistant curator of the Triton Museum in Santa Clara, Ca.  He has a wonderfully expressive face and was generous in letting me use these photos however I saw fit.  I like to use them for this exercise because the expressions are genuine, not an actor posing.  I decided to do a sheet based on a children's book, Sesame Street Opposites featuring Zero Mostel mugging his way through the book.  Talk about over acting!!  I also thought it would be instructive to demonstrate adding some collage elements.  This piece doesn't photograph true to how it actually looks.  Another fun day with lots of great student work!

LA CROSSE WORKSHOP SLIDE SHOW #2

Here are the rest of the paintings I photographed days 3 and 4 from the workshop.  Day five I shared lots of ways to make stamps and create texture.   Everyone spent the rest of the time focusing on making samples for future reference.  Friday is always a challenging day for workshops.  Many need to pack up and get a head start on the weekend.

CWA WORKSHOP SLIDE SHOW!

This was a wonderful group to work with.  Everyone worked hard and produced some great images.  I was particularly pleased with their success at drawing accurate features in all 3 poses.  Some of the paintings are still in progress but I wanted to share all the work for the week.  Tomorrow I will post my final demo.  I hope you enjoy the slide show.  Don't forget to click on the "x" in the upper right hand corner to get rid of that annoying stupid pet ad.  It's the price of having free slide show service.

DEMO FOR CALIFORNIA WATERCOLOR ASSOCIATION

I have been conducting a portrait workshop this week for the California Watercolor Association.  I have a wonderful slide show to share of some of the work that is being created.  I will post it tomorrow night.  Wednesday was the monthly meeting and I was the guest demonstrator.  A little challenging after standing all day teaching but after a lovely dinner, and a little wine, I was ready to share my love of Tyvek Paper and Dr. Ph Martin's liquid HYDRUS watercolors.  I arrived at the meeting to discover that the technical person who opperates the video camera and other equipment had failed to show.   To compilcate matters, there was no overhead mirror because the usual proceedure is to project what the artist is doing onto a big center screen.  The solution to work at an upright easel so others could see was out of the question because of the slick nature of the Tyvek paper.....all the paint would slide right off!  We finally decided that the best solution was to put the painting table in the middle of the room and have all the chairs circling me with the first rows seated and others standing.  I stopped a few times to let people circulate, come up close to see what I was doing and change positions in the room for a different view.  Having been a sketch artist at outdoor shows, I was used to people gathering round to watch what I am doing.  We had a nice question and answer session while I was painting.   As we have all found our selves in challenging situations when things didn't fall into place the way we had planned, everyone was undestanding and gracious and hopefully enjoyed the evening.  I was concerned that people would go away disappointed that they had made the effort to come to the meeting and couldn't see the demo well enough.  Checking with a few insiders this morning, I was told everyone had a great time and enjoyed the evening.  

This is a portrait of David Levine, one of America's great artists.  He passed away this year.  I don't know how wonderful of a likeness I achieved, but I like his face and love his work.  I am fortunate to own a book about his life and art called The Arts of David Levine published in 1978.  

PORTRAIT WORKSHOP REFERENCES!

In preparation for presenting my Beginning Portrait Watercolor Workshop on Monday, I am getting all my materials together.  I thought some of you might be interested in some of the books I use and share during this workshop.  I find books invaluable as resource information and inspiration.  My favorite book that I share for porrait composition is by Alex Powers .  This book is out of print but still available.  My copy is highlighted, underlined, flagged and dogeared.  A wonderful book I discovered about a year ago is called Face Parts  by Simon Jennings.  This book is very thorough on all aspects of drawing and painting the face without emphasising a particular style or way of painting.  I find this important because we all need to find our own voice in painting style but understanding the structure of the face is crucial to being able to produce a convincing portrait.
Companion books in this series is Body Parts  by Simon Jennings .  This book has a great section on hands which often need addressing when doing a portrait.  In fact, my whole self portrait series actually started while I was developing images for students that included head and hands.  A topic I teach on in the Advanced Portrait Workshop.

The final book I wanted to share is a an amazing book I stumbled upon in the Denver airport in a wonderful gift shop.  Heads by Alex Kayser is a book of 184 heads of men and women....all of them in the exact same pose and format and all of them are bald.  It shows how alike but different each of us are.  I have never seen this book anywhere else.

Many of you have been kind enough to express interest in taking a workshop from me if I was in your area.  You can make that happen!  Many of my teaching engagements have come about because someone recommended me to their local art association that sponsors workshops.  In fact, a group of friends can get together and hire me.  I appreciate your enthusiasm for my work and look forward to working with all of you who are interested.  You can contact me at myrnawack@prodigy.net

BROMMER WORKSHOP DAY 5 : FRAMED!

Day 5 is almost always shorter than the rest of the days.  We were only going to create one painting.  The last design format he talked about was "Shapes within Shapes".  Basically, the idea is to put a border or frame like structure around the painting which serves to contain and organize what is inside.  Often if the painting is busy and feels chaotic, this device makes it work.  The border doesn't have to be continuous.  Sometimes it is more implied.  He showed lots of different examples.  Here is my version and the sample painting  Jerry painted while we worked.  Everyone was very intense in working during this workshop.  Often we kept working through part of the lunch break because and there was very little talking.  We were really "into it!

Jerry spent more time lecturing in the morning than usual, and since he had just juried the awards for the International Society of Acrylic Painters, he talked about the jurying process and some insights about how he selects the winners.  He said the awards reflect only how the juror feels at that moment.  If he juried the show a day later he might pick differently.  Ultimately, he looks for paintings he would like to take home, the ones that touch him in someway, the ones with "content".  It's not just about technique and design. Ultimately, he feels the purpose and value of these shows is to inform, educate and inspire those who come to see it. The awards are not that significant because they are just how one person feels at one moment in time.  At the end of the day, many of us went over to see the show.  The variety of paintings was impressive.  It was fun to look at the different works and "see" the design construct.  Most of my favorites received awards.  Congratulations to all of the entrants.  You are all winners.

A big thank you to Barbara Leites for all her hard work putting on an excellent workshop.

BROMMER WORKSHOP DAY 4: 8 MORE DESIGN STRATEGIES!

Day four of the workshop focused on quite a few more design strategies.  He discussed 8 additional compositional ideas.  After talking about the concept behind the design, he would show us lots of examples using this format.  There was always a wide range of subject matter and styles which was very helpful to understand how one might use this design for their own work.  Some of the examples were rather subtle and Gerald had marked those with black lines to help us see the division of space.  We were expected to produce two paintings and had the option of picking which design schemes we wanted from those that were discussed.

  Since I am not usually an abstract painter, my first choice was the Opposing Forces composition.  I can invision working this into my paintings more than some of he others.  A real challenge for me is to see how I might utilitze each design idea within my work.  I plan to play around with this idea in my sketch book when I get some breathing room. As you will see in the slide show, this was a very popular format.  I was pleased with the final piece.  I discovered some new textural techniques along the way.  I was working over old paintings.  I like how the original color shows up in very subtle ways.  For my second painting, I decided to do a vertical composition because I noticed that I have a tendency to apply collage papers in a vertical manner.  I was working on varying the width, color, and breaking up the space in an interesting way.  Not so sure about the outcome but I sure was having fun.  Here are the results of the rest of the class having so much fun it should be illegal!

BROMMER CHANNELS DIEBENKORN: WORKSHOP DAY 3

Different compositional strategies are about ways of creating movement in the painting to lead the eye to the focal point.  Day 3 was working with a design concept associated with many of Robert Deibenkorn's painting.  This is a composition that only works well horizontally.  There is a very large space(described as expanded or feeling like it wants to expand) either top or bottom, a band across the opposite end of the painting, for containment and a narrow area (compressed between the two ) which becomes the focal point. I call this design construct "compression".  This is a great design for paintings that feature lots of sky and a very low horizon line if the expansive shape is on the top. I was able to do three, the first being my favorite.  There were many handsome pieces created with this format in the class.  We were working on300 lb watercolor paper cut 11" x 11".   Check out the slide show and find your favorite!

BROMMER WORKSHOP DAY 1: MOVEMENT

If you ever have a chance to take a workshop from Gerald Brommer, you must take advantage of the opportunity.  He keeps things clear, simple and insightful.  I have put together a slide show of all the student work today.  Every one is excellent, interesting and different.  These are the two I created today. The first followed some very specific directions to create movement toward the focal point.  The second we were free to create our own design with the same goal in mind but more individual placement of light and dark shapes.

If you can't make a Brommer workshop, his books are the next best thing.  I have two books on college that he wrote.  Both are favorites of mine.  Watercolor and Collage Workshop has the lessons we are covering this week.  Collage Techniques has other ideas and very clear instructions, as well. (be sure and click on the "x" to get rid of those stupid pet things if it shows up on the slide show.  I have no control over that appearing with the slide show.  They must have paid Slide.com big bucks to stick it on every slide show!)

ONE DAY TEXTURE WORKSHOP SCHEDULED!

I have scheduled a ONE DAY TEXTURE WORKSHOP on Saturday, August 28th at the Sunnyvale Art Gallery.  This is a fun, fast paced exploration where I share ideas using gesso, tissue paper and stamps to create interesting surfaces for painting in water media.  Some of the techniques I invented and some are culled from various resources. 

Texture and Line are my favorite design elements. There are a million ways to create texture but we will focus on a few readily available materials to start with.   Come join me and discover some new ideas to get your creative juices flowing.

I set this up  yesterday, so it is not on their website yet.   There is  nice working space but it is limited to about 15 people, so  call and  reserve your space .

You can call 408-737-8188 for additional information.