Friday, September 26, 2014

MONO PRINTING WITH ANNE BAGBY.......OH JOY, OH JOY!











At the beginning of September, I had the privileged of teaching with Anne Bagby in her fabulous studio in Winchester, TN.  I taught the second two days, but  Anne taught the first two days and shared some of her techniques for producing wonderful papers by mono printing.  Working with about 12 papers at the same time, one gets variations and a set of papers that are harmonious but each is different because each one has been printed differently but using a consistent palette.  Variations on a theme, as it were.  These papers came out so much more "finished" than my normal mono printing style.  I am not sure how I will use them, but I am anxious to try my hand at creating another series in this vein.  Anne has an amazing collection of hand made stamps and stencils.  She generously shared these with us.  I need to create a few more of my own before make more papers.  I can't wait to get started!




Tuesday, September 23, 2014

IT'S AN HONOR!


HOME ALONE

I have just returned from an incredible two weeks immersed in art, teaching, learning, friendship and gratitude for the life I live!  While away from home, I learned this painting has received the President's Award from the International Society for Experimental Art (ISEA).  I am very honored.  I wish I was able to attend their event but I was teaching in Florida at the time.  Hopefully, next year.  It is great to have an organization dedicated to those of us who like to push the envelope a little (or a lot!)

This morning, I received a note that this painting is also featured on the Artist's Network blog post excerpted from the Acrylic Artist magazine. 
Here is the link to see the article and read how this painting came about.  http://www.artistsnetwork.com/articles/art-demos-techniques/painting-with-acrylic-an-ever-curious-approach-to-art-making?lid=CHarnac092314

As soon as I am able to download all the photos from the past two weeks and clear my brain, I will share some wonderful moments and new ideas that developed.

Tuesday, August 26, 2014

LATEST PLANE AIR PAINTING!

SKETCHCLUB Digital Painting
Just back from a family reunion weekend.  To pass the time on the plane, I like to practice drawing and painting with one of the many art apps I have on my iPad.  Sketchclub is my favorite because it is easy to change settings quickly and they have a setting called "sketchy" that produces a very interesting effect.  I wish I could figure out how to do that with traditional drawing materials.  I selected the largest size for my drawing and it created this very long format.  

Now, to get back into a regular schedule!

Tuesday, August 19, 2014

VACATION'S OVER!

A STRANGER AMONG US

I took a little vacation from blogging but not from working!  I am getting  ready to share a wonderful teaching experience with Anne Bagby in a few weeks and then I am off to the Florida Watercolor Society conference where I will be giving a workshop, doing a demo and some one on one critiques.  There will be constant activity and events including their annual exhibit,  a trade show, a paint around and a banquet.  I have never been to this type of  conference and it will be exhilarating.  I can't wait!

This painting needs to be framed and shipped before I leave.   It was accepted into the 2014 National Watercolor Society National show.  As ever, I am very excited to be included this year.  With so many excellent artists entering, it is a miracle to be excepted.  It is hard to say what will make the cut.  I was disappointed that I didn't get into the San Diego WCS International show.  All we can do is create a lot of work, set aside those pieces that feel successful  and be willing to take a chance, keeping our fingers crossed. I think I should be doing more of this formatting.  It is not an original concept but creates an interesting dynamic between the nine faces.  

In my next post, I will share some questions to consider when evaluating your painting.  It is helpful as a way to take another look at your work after you have stared at it so long you can no longer be objective.  

Wednesday, July 9, 2014

ART IN THE VINEYARDS!

JERRY, GESSO TEXTURE DEMO

MORRIS, COLLAGE TEXTURE DEMO
I spent 3 wonderful days giving a Texture Workshop for the Central Coast Watercolor Society in Paso Robles, California.  Everything was perfect....great students, great location, great weather.  This part of the central coast has wonderful wineries. We set up shop at the Castoro Cellars Winery off of highway 46 West.  What a beautiful place, with lunch outside on the patio amidst the grapevines.  I was honored to jury their Aquarius 2014 show which is now on exhibit in the Castoro Cellars Art Gallery through August 30th.   There are lots of talented artists here, so, if you are anywhere near the area, be sure and stop by and see the show, taste some wine, maybe have a picnic and enjoy this wonderful part of California. 

Sunday, June 8, 2014

MAKING IT YOUR OWN!





I took a workshop from Derek Gores a while back.  It was lots of fun and I love his work.  The problem for me was to figure out  how to incorporate the ideas from his workshop into my work and not have it look so derivative. I had this imaged started on a nice gallery canvas with the torn magazine collage in black and white.  I had set it aside because I never could decide how to continue.     Yesterday, I was inspired to collage the entire piece with various tissues I had patterned with gesso using my Gelli Plate.  Unfortunately, I didn't realize I had never photographed the image after the initial magazine collage.  So, we have to start with the second step, covered with gesso tissue.  

Today, I took out my liquid watercolors and painted over all the collage papers .  I may play with the shadow pattern a bit but basically, I think it is done.  I think I will do a few more of these with some slight variations.

Wednesday, June 4, 2014

2ND DEMO FROM NEW WORKSHOP!

ODE TO A SON

This painting is a combination of old painting partially covered with gesso through a stencil and some collage papers that have been made on the Gelli Plate with tissue, stencils and gesso for paint, then painted with Mahogany, burnt sienna and Ultramarine blue acrylic glazes.  I must have painted out the right eye 8 times before I was satisfied with it.  I may play with the value pattern a little more digitally in the computer and make a few adjustments,  but basically, it feels finished.

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