Tuesday, October 10, 2017

STEP ONE!

PAUL AT KITCHEN TABLE: DETAILED PENCIL DRAWING


I am excited about creating some new paintings to illustrate my latest workshop: Variatons 2.0.  In the original Variations workshop we changed the image using the Elements ofArt.   In this Variations workshop we are going to change the image by changing other ingredients such as surface, tools, emphasis and format. Any change will result in a new direction so chnaging things up adds exciement and discovery to your work.

For me, the first step is simplification.  I start with a detailed drawing from a photograph.  In this case I used a mechanical #2 lead pencil.  Then I put the photograph away and work from my drawing.   I like to draw with ink, over and over as I become familiar with my subject.  Putting in every detail is easy, a no brainer.  Simplification is difficult.   One has to make decisions and search out the most important aspects of the image that communicate your message to the viewer.

PAUL 2ND DRAWING, MODIFIED BLIND CONTOUR DRAWING IN PENCIL

 A quick way to get to the essence of the image is to draw with a mop string dipped in ink.   Fussy details are impossible with this drawing method.  I started out with the full image.  I wanted to hone in on some of the details like the head and hands so I did separate drawings of these elements.





  I found a feather in my collection of drawing materials and decided to see what kind of line I could get with the feather dipped in ink.   Then left handed drawing.  I now appreciate the difficulty of writing if you are left handed.  It seemed I was getting in my own way.  The feather was very interesting.  It will take lots of practice but I think it has promisse as an interesting tool.

FEATHER

FEATHER

FEATHER


  Tried using an eyedropper and then my "Oiler Boiler" needle bottle.  Tried both dominant right hand and awkward non-dominant left hand mostly continuous line drrawing.  I use newsprint sheets because they are large, cheap and I was able to purchase a ream of them.   Along the way, I decided the most important aspects of this image for me are pose, interlocked fingers of the hand, suspenders, eyebrows strong creases by side of nose and mouth and the chin.

EYE DROPPER 

OILER BOILER

OILER BOILER #2

OILER BOILER #3

OILER BOILER #4
A few more simplification drawings down to the bare essence and then I am ready to start a painting!

4 comments:

Sonia said...

Very interesting Myrna. Our local art society are currently looking for some different challenges for our 2018 programme of monthly workshops (only 2 hours each). This would certainly take some of us out of our comfort zone for an evening - hope you don't mind me directing them to your post and trying out your ideas.

Myrna Wacknov said...

Hi Sonia, It would b be fine to share my ideas. I always like to let others know who originated the ideas if I have that information > Please be sure and share with me the results of any workshop that uses these drawing materials.. I love show and tell!!

Sonia said...

Thank you Myrna - your generosity in sharing your techniques is much appreciated. This particular theme is now scheduled for October next year. I will certainly make every effort to record the results and pass them on to you.

Meera Rao said...

Talk about giving yourself challenges :)... Love the results !

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