READY FOR THE DEMO!

Friday I will be doing two classes at the Presidio Officer's Club in San Francisco  for the California Watercolor Association's Outreach Program.  We are going to have lots of fun making wallets out of a single Tyvek Envelope.  The instructions are on a YouTube video by tkellerman.  I had to create a diagram and written instructions because everyone will have to put the wallet together at home.  My son, Kevin, the graphic designer, took my rough drawing and made it look so professional.   It took me awhile, but I have the folding technique down cold!  Now I can relax and look forward to sharing this project  with everyone.  I hope there will be a lot of kids in the morning but with school already starting in lots of places, it will probably be mostly adults.

This is the design I have painted with regular watercolor and a Micron 05 pen.  I started another design today using letters to spell out my name.  I thought it would be good to have a design idea everyone could relate to.  This design was done entirely with Extra Fine colored Sharpie pens.  

CWA WORKSHOP SLIDE SHOW!

This was a wonderful group to work with.  Everyone worked hard and produced some great images.  I was particularly pleased with their success at drawing accurate features in all 3 poses.  Some of the paintings are still in progress but I wanted to share all the work for the week.  Tomorrow I will post my final demo.  I hope you enjoy the slide show.  Don't forget to click on the "x" in the upper right hand corner to get rid of that annoying stupid pet ad.  It's the price of having free slide show service.

DEMO FOR CALIFORNIA WATERCOLOR ASSOCIATION

I have been conducting a portrait workshop this week for the California Watercolor Association.  I have a wonderful slide show to share of some of the work that is being created.  I will post it tomorrow night.  Wednesday was the monthly meeting and I was the guest demonstrator.  A little challenging after standing all day teaching but after a lovely dinner, and a little wine, I was ready to share my love of Tyvek Paper and Dr. Ph Martin's liquid HYDRUS watercolors.  I arrived at the meeting to discover that the technical person who opperates the video camera and other equipment had failed to show.   To compilcate matters, there was no overhead mirror because the usual proceedure is to project what the artist is doing onto a big center screen.  The solution to work at an upright easel so others could see was out of the question because of the slick nature of the Tyvek paper.....all the paint would slide right off!  We finally decided that the best solution was to put the painting table in the middle of the room and have all the chairs circling me with the first rows seated and others standing.  I stopped a few times to let people circulate, come up close to see what I was doing and change positions in the room for a different view.  Having been a sketch artist at outdoor shows, I was used to people gathering round to watch what I am doing.  We had a nice question and answer session while I was painting.   As we have all found our selves in challenging situations when things didn't fall into place the way we had planned, everyone was undestanding and gracious and hopefully enjoyed the evening.  I was concerned that people would go away disappointed that they had made the effort to come to the meeting and couldn't see the demo well enough.  Checking with a few insiders this morning, I was told everyone had a great time and enjoyed the evening.  

This is a portrait of David Levine, one of America's great artists.  He passed away this year.  I don't know how wonderful of a likeness I achieved, but I like his face and love his work.  I am fortunate to own a book about his life and art called The Arts of David Levine published in 1978.  

PORTRAIT WORKSHOP REFERENCES!

In preparation for presenting my Beginning Portrait Watercolor Workshop on Monday, I am getting all my materials together.  I thought some of you might be interested in some of the books I use and share during this workshop.  I find books invaluable as resource information and inspiration.  My favorite book that I share for porrait composition is by Alex Powers .  This book is out of print but still available.  My copy is highlighted, underlined, flagged and dogeared.  A wonderful book I discovered about a year ago is called Face Parts  by Simon Jennings.  This book is very thorough on all aspects of drawing and painting the face without emphasising a particular style or way of painting.  I find this important because we all need to find our own voice in painting style but understanding the structure of the face is crucial to being able to produce a convincing portrait.
Companion books in this series is Body Parts  by Simon Jennings .  This book has a great section on hands which often need addressing when doing a portrait.  In fact, my whole self portrait series actually started while I was developing images for students that included head and hands.  A topic I teach on in the Advanced Portrait Workshop.

The final book I wanted to share is a an amazing book I stumbled upon in the Denver airport in a wonderful gift shop.  Heads by Alex Kayser is a book of 184 heads of men and women....all of them in the exact same pose and format and all of them are bald.  It shows how alike but different each of us are.  I have never seen this book anywhere else.

Many of you have been kind enough to express interest in taking a workshop from me if I was in your area.  You can make that happen!  Many of my teaching engagements have come about because someone recommended me to their local art association that sponsors workshops.  In fact, a group of friends can get together and hire me.  I appreciate your enthusiasm for my work and look forward to working with all of you who are interested.  You can contact me at myrnawack@prodigy.net

NEW SKETCH

I sat at the Gallery Concord today.  I decided to catch up on some reading and sketching.  This is actually graphite on white paper but the computer made it look so much more beautiful with these tones. Too bad it doesn't happen in real life .... wave a wand and the color changes !  I usually don't have any interest in drawing or painting "beautiful people" but this woman had the most amazing profile...almost no bridge to her nose.... with fascinating shapes and elegant lines.  She will be fun to stylize and exaggerate.

Monday I will be starting a beginning watercolor portrait workshop for the California Watercolor Society.  It will be held at Gallery Concord.  If you are in the neighborhood, stop in and check it out.  It will be a large group of 25.  I need to spend the weekend getting ready.  On Wednesday night, I will be doing the demo for the monthly meeting at Shadelands Art Center in Walnut Creek.  You can check the website for details of time and address.  www.californiawatercolor.org

BROMMER WORKSHOP DAY 5 : FRAMED!

Day 5 is almost always shorter than the rest of the days.  We were only going to create one painting.  The last design format he talked about was "Shapes within Shapes".  Basically, the idea is to put a border or frame like structure around the painting which serves to contain and organize what is inside.  Often if the painting is busy and feels chaotic, this device makes it work.  The border doesn't have to be continuous.  Sometimes it is more implied.  He showed lots of different examples.  Here is my version and the sample painting  Jerry painted while we worked.  Everyone was very intense in working during this workshop.  Often we kept working through part of the lunch break because and there was very little talking.  We were really "into it!

Jerry spent more time lecturing in the morning than usual, and since he had just juried the awards for the International Society of Acrylic Painters, he talked about the jurying process and some insights about how he selects the winners.  He said the awards reflect only how the juror feels at that moment.  If he juried the show a day later he might pick differently.  Ultimately, he looks for paintings he would like to take home, the ones that touch him in someway, the ones with "content".  It's not just about technique and design. Ultimately, he feels the purpose and value of these shows is to inform, educate and inspire those who come to see it. The awards are not that significant because they are just how one person feels at one moment in time.  At the end of the day, many of us went over to see the show.  The variety of paintings was impressive.  It was fun to look at the different works and "see" the design construct.  Most of my favorites received awards.  Congratulations to all of the entrants.  You are all winners.

A big thank you to Barbara Leites for all her hard work putting on an excellent workshop.

BROMMER WORKSHOP DAY 4: 8 MORE DESIGN STRATEGIES!

Day four of the workshop focused on quite a few more design strategies.  He discussed 8 additional compositional ideas.  After talking about the concept behind the design, he would show us lots of examples using this format.  There was always a wide range of subject matter and styles which was very helpful to understand how one might use this design for their own work.  Some of the examples were rather subtle and Gerald had marked those with black lines to help us see the division of space.  We were expected to produce two paintings and had the option of picking which design schemes we wanted from those that were discussed.

  Since I am not usually an abstract painter, my first choice was the Opposing Forces composition.  I can invision working this into my paintings more than some of he others.  A real challenge for me is to see how I might utilitze each design idea within my work.  I plan to play around with this idea in my sketch book when I get some breathing room. As you will see in the slide show, this was a very popular format.  I was pleased with the final piece.  I discovered some new textural techniques along the way.  I was working over old paintings.  I like how the original color shows up in very subtle ways.  For my second painting, I decided to do a vertical composition because I noticed that I have a tendency to apply collage papers in a vertical manner.  I was working on varying the width, color, and breaking up the space in an interesting way.  Not so sure about the outcome but I sure was having fun.  Here are the results of the rest of the class having so much fun it should be illegal!