![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhaBbRhY6kYfa95XVjnx-LIA1gI0llL2voHfEV8bkqNK60jd-xrcI3uImtGjSUJle8v5oAcsFgrVxGsnBpsOpVnO8evySSXOuYSbkBjBwzqvLm_7nb8FhQHaFgKvaV8pRiJR6c2yv9Z4CR7/s280/P1010638.jpg) |
gesso stamped YUPO with a light glaze |
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgSI41WDGTJffpNpqjo49WlERA-d1Qv8grr-JmQlhlcKasT7xjASDhwefmENGDTpTDtvE5TFyZCCE2dzY4KE8FR46cNmxbkQ3kq4_aBTAAw-0LjHDt3UMC0at1Mzm9fGAzko5TBEwT3UaDk/s280/P1010639.jpg) |
detail of gesso stamped YUPO
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limited palette painting stage one |
I am trying texture techniques on YUPO. This one has gesso partially scraped onto the surface then stamped into. I pressed the gesso covered stamp onto other parts of the paper. Lightly glazed, then drawing the head and proceeding to paint. So far I am using a very limited palette. When I have the shapes perfected, I will add a few other colors. It's great having a very liftable surface, because the hands need to be enlarged!
It is coming out beautifully too, Myrna. How do you draw/paint over the impasto surface and still keep such perfect lines/edges?
ReplyDeleteHi Sherry! The surface is pretty smooth for the most part and easy to draw and paint on. why not give it a try!
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